l
'Tis thy device
devides thee so;
'Tis by thy deeds
thou art undone,
Would'st thou feign keep
what ne'er was thine?
The illustration is
a watercolor. The sky is blue and is textured with high misty clouds,
but there is no well- defined detail. The land is rolling hills,
but is barren. There is no vegetation on it and there are no stones and
no water. The earth is not even a yellow sand. It is a brown
dirt. Far in the distance, a village sits in the valley. Almost
as far off is the gallows on a hilltop overlooking the village. In
the foreground is a lone, bare tree. Beneath it sits a man.
He is dressed in brown and
beside him is the black, hangman's hood.
The poem, which hovers in
the sky, is written in the red angular script. The spelling of "devides"
instead of "divides" in the second line is interesting. I don't think
it is merely to make the word appear more similar to the word "device",
as has been the accepted interpretation. I think this spelling is
used to call to mind both the words "dev" (divine being in Hinduism and
Buddhism) and "devil". It is the moral conflict which I think the
voice is pointing to as self-inflicted. It is the blue voice's own
values that cause him the agony described in the previous poem.
It is thedeeds he commits of his own choice that lead to his downfall.
The last two lines again bring up for
discussion man's fleeting mortality. Three separate ideas are represented
by the hangman. He represents the laws which the villagers have set
down. He represents the free will of people who will either obey
or violate those laws. Thirdly, he represents mortality, the end of a life
which can never be owned, only borrowed.
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The music playing
is "Saraband No.2" by Erik Satie. It was sequenced by David
Cooke and downloaded from David
Cooke's Corner of the Public Domain.
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